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Lina Mathon Blanchet (1902-1993), "A Haitian Tale". "A Haitian Tale" by Lina Mathon Blanchet, for wind quintet and optional drum, performed by the Soni Lina Mathon Blanchet was a "pioneering Haitian folkloric dance artist, pianist and composer."6 Blanchet's affinity for music was apparent at an early age. By the 1930s, Blanchet was using and transposing folkloric musical scores, incorporating these traditions into her piano performances. On the same date, it was the turn of Lina Mathon Blanchet and his band "Haiti Sings" let flabbergasted over 30,000 festival goers and tongue, of every race and nation on the banks of the Potomac, under the "Cherry Blossom Festival". [Repost from Haitian History] Lina Fussman-Mathon, musician, arranger, and leader of a dance troupe drawing on folkloric sources. Fussman-Mathon, according to Kate Ramsey, collaborated with composers such as Werner Anton Jaegerhuber to collect and harmonize popular sources. She also introduced her students, drawn from the urban middle class and elite, to Vodou ceremonies and dances.

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Piece of the Week: A Haitian Tale - Lina Mathon Blanchet. https://www.youtube.com/watch?v=R3HP62--LZU  Adam, son till Louis och Louise Brière\Grimard, gift med Odile Mathon 1861. Baril, son till François och Marguerite Veillette, gift med Marie-Délia-Lina Marchand Blanchet, son till Joseph-Marie och Euphrosine Cloutier, gift med Marguerite  Blanquet Blanchet, gift med Jean Leclerc Bouteleau 1657. Blier, gift Chartré, dotter till Francois Xavier och Marie Anne Mathon, gift med Olivier Caya 1874.

Julio Racine --An nou dansé / Dickens Princivil --Asiano / John Jost --Espoir / Dickens Princivil --La délaissée et ses soupirs / Occide Jeanty / Lòlotte, voulour c'est pouvoir Lina Mathon Blanchet: Born in Port-au-Prince, Haiti, Lina Mathon Blanchet is considered the "Matriarch of Haitian Music and Dance." She became a classical pianist at a very young age, and would perform at many venues across thec apital of Haiti, including the prestigious Rex Theater.

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Frantz Voltaire is the director of CIDIHCA, and information and documentation center for the Haitian, Caribbean, and Afro-Caribbean communities. Creole By Design Entertainment. 83 likes. Event Planning, Parties and Music Production May 9, 2017 - Ginette Beaubrun, also known as Melanie, was the wife of the great Haitian actor Thédore Beaubrun, aka Languichatte Debordus.

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From his initial forays in Haiti with Lina Mathon Blanchet, Jacky Duroseau, and Jazz des Jeunes, he went on to work in the United May 14, 2015 - Where all Haitian American Youth Online can find relevant individuals online, companies online and support online. Classical composers with free music available.

Julio Racine (1945-) Solon C. Verret (1912-1992) Serge Villedrouin . Jean-Léon Destiné (March 26, 1918 – January 22, 2013) was a Haitian-born American dancer and choreographer.He was born in Saint-Marc and moved to the United States with the dance company of Lina Mathon-Blanchet in the early 1940s. He later studied at Howard University.His work, becoming well known in the 1940s, often addressed Haiti's history of resisting colonialism and slavery. De Pradines went to Washington, D.C. in 1941 as a featured singer and dancer in a troupe led by Lina Mathon-Blanchet.: 59 After her return to Haiti, de Pradines performed in a regular concert series at the Rex Theater in Port-au-Prince.
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Julio Racine (1945-) Solon C. Verret (1912-1992) Serge Villedrouin . Jean-Léon Destiné (March 26, 1918 – January 22, 2013) was a Haitian-born American dancer and choreographer.He was born in Saint-Marc and moved to the United States with the dance company of Lina Mathon-Blanchet in the early 1940s.

A la reprise de Ventr’acte, M. Raoul Denis, Yorganisateur du At the age of 13 years she got to meet Pianist Lina Mathon Blanchet who got interested in her performance. Later she became a member of Legba choir which made her advance in her talent.
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3 jan 1902 - 11 mar 1993. Buy sheetmusic from Mathon+Blanchet at SheetMusicPlus. Name / Genre / Year / Popularity. A. A Haitian Tale for Wind Quintet and Drum (1;5m) Name / Genre / Year / Popularity. Explanation (2;5m) or (2;5m;v) 2. The field of Classical music has long been dominated by white, mostly male, Europeans. Despite the considerable contributions of composers of colour to the field of 'Western' Classical music, their names are far less well-known than their white European counterparts.

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The exposition featured regional entertainment from the Caribbean along with black entertainers from the United States. The field of Classical music has long been dominated by white, mostly male, Europeans. Despite the considerable contributions of composers of colour to the field of 'Western' Classical music, their names are far less well-known than their white European counterparts. In school and university, we learned about and studied the '3 Bs' - Bach, Beethoven, Brahms. We learned about white European men de Lina Mathon Blanchet et ie Quintette en ré mineur de Anton Reicha. «Lés Contes et Rondes> de Lina Mathen Blanchet, sy des thémes inspirés de notre fol klore, provoquérent un’ véritable déferlement d’enthousiasme dans le public. A la reprise de Ventr’acte, M. Raoul Denis, Yorganisateur du At the age of 13 years she got to meet Pianist Lina Mathon Blanchet who got interested in her performance.

Julio Racine --An nou dansé / Dickens Princivil --Asiano / John Jost --Espoir / Dickens Princivil --La délaissée et ses soupirs / Occide Jeanty / Lòlotte, voulour c'est pouvoir Lina Mathon Blanchet: Born in Port-au-Prince, Haiti, Lina Mathon Blanchet is considered the "Matriarch of Haitian Music and Dance." She became a classical pianist at a very young age, and would perform at many venues across thec apital of Haiti, including the prestigious Rex Theater. Always interested in the powerful Haitian "vodoun" and the ritual dances integral to its practice, he studied and danced as a teenager with Lina Mathon-Blanchet, founder of the first Haitian dance With this study, based on long-term ethnographic and archival work, I attempt to demonstrate, through a few key examples, the critical importance of private archives for maintaining the history of Haitian mizik klasik; to document losses, and near losses, of musical texts from the nation’s most heralded composers—among them, Occide Jeanty, Werner Jaegerhuber, Édmond Saintonge, Justin These performances by the Troupe Folklorique Nationale, directed by Jean Léon Destiné and Lina Mathon-Blanchet, led to the international popularity of Haitian dance in the 1950s. The exposition featured regional entertainment from the Caribbean along with black entertainers from the United States.